Showing posts with label harsh light of day. Show all posts
Showing posts with label harsh light of day. Show all posts

Wednesday, March 6, 2013

On Erotica.

Evelyn Waugh remarked in his diary: “I feel very much the futility of describing sexual emotions without describing the sexual act."

Obviously, this observation is ludicrously out of date. If anything, writer's of today have the opposite problem, that of being able to describe the sexual emotions without by necessity also having to delve into descriptions of the sexual act. 

Julian Barnes says, in this Telegraph article, that "Modern authors can feel commercially obliged to write about sex in all its lurid detail."

In the early 2000s, I wrote erotic fiction. It didn't last very long, and I didn't highly publicise it around my friends, but there you are. 10 years later, I came back after completely reinventing my writing and my online presence, and utilising some of the publishing contacts I'd made the first time round. Writing is a part of my blood, I was always going to come back to it eventually. I just needed to get out of my relationship at that time, finish my undergrad, progress into Honours, and find a part time job that didn't compromise my writing times too much. 

And then today. Today, I sat down at my trusty laptop after a hefty 8,000 word haul yesterday. I have a new project in mind, a Steampunk venture, that I would dearly love to see picked up by the likes of Loose Id, or Samhain Publishing. I know a number of friends who are with those houses and hear nothing but the best of things. However, they are in the market of romantic erotica. In order to even be considered for one of these houses, the story that I write for them has to have a romantic content as well as an erotic one.

That's fine, I told myself. There's nothing that I haven't done before. And I sat down, determined to write an erotic scene between two of my characters for this new project and.... nothing. 

Not just nothing at all, but also a not insufficient amount of annoyance to go with my healthy dollop of nothing. 

On paper in my writing book, it seemed as though I had come up with a plot and a story that would support reasonable looseness of morals within this alternative historical setting. I was actually quite enjoying the idea, in my head, of putting together a saucy romp for the first time in almost ten years. 

What happened instead, much to my devastation, was the complete drying up of any inspiration to write whatsoever. Not even an ounce of creativity was to be found even for Dahlia's fourth novel Harsh Light of Day. 

With strangely amazing timing, my New Adult community of writers had just started a conversation on the saturation of erotica in publishing today. This article, also from the Telegraph, notes the virtues of novels stopping just short of the bedroom door and began our conversation. From there we went on, with such interjections as this scene read out of Madam Bovary being linked to to further highlight the point of view.



(Yes, the sex analogy is to be found in the description of the cab ride, which suggests the nature of activity going on within.)

In conclusion, it seemed to me a statement worth making that, just like you wouldn't include a horrifically gory scene within every novel or movie in which a death occurred, erotica shouldn't be the go-to for every single romance/paranormal fiction/urban fantasy novel being published by small (and increasingly larger) publishers right now. I would make a comment about popularity of novels like 50 Shades of Grey pushing the buck on this one but, truthfully, it's been going on a lot longer than that. 

That said, I've thought a lot today about the above quote by Evelyn Waugh, and if not writing the sex scene is holding you up just as much, that obviously isn't the answer either.

When all's said and done, what I'm saying is I don't think that all books need to have erotic and/or horrific content, just because the sensationalism of it sells. What are your thoughts?

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This post now has a follow-up post on the same subject: On Erotica, part 2.

Friday, February 8, 2013

What I like to read when I'm writing urban fantasy.


Inspired by the Author's Chat post on the weekend, as well as questions I've been getting from a couple of recent interviewers, I've decided to write a blog post based on the things I read when I'm writing my Shadows of Melbourne series.

In preparation for starting to look at a second draft of the third book Smoke and Mirrors and make my first steps on a draft for Harsh Light of Day, I currently have a copy of Patricia Briggs' Bone Crossed on my waiting-to-be-read pile.


Patricia's paranormal fantasy novels are like a breath of fresh air. The market is currently flooded with vampire novels and these novels stand out. If I could be seen to write like anyone out there in paranormal fiction right now, it would be Patricia Briggs.

The characters, the plots... I definitely have the feeling that I am standing right within the world she's created when I'm reading. I love the friends that her main character Mercy Thompson has, the way those friends complicate and enrich her life. I love that each single book plot wraps up, while still leaving the reader wanting to know what will happen next on the greater, overarching plot of the series.

Most of all, I like that someone else is writing these books, and I'm not the one who has to figure out what to write next.

From Booklist: In a world where witches, vampires, werewolves, and shape-shifters live beside ordinary people, it takes a very unusual woman to call it home...

I'm so looking forward to start reading it!!

I'm also pretentious (and academic) enough to have picked up another couple of books to flick through as I develop the vampire and werewolf plot lines in upcoming Shadows of Melbourne novels. The most instrumental texts I have on my shelf to that end are Our Vampires, Ourselves by Nina Auerbach and Women Who Run With the Wolves by Clarissa Pinkola Estes.


Auerbach's book is an amazing look at the history of the literary vampire, starting from Byron's vampire story begun on the same night as Mary Shelley's Frankenstein. The format of the old Gothic tales are looked at closely. Those tales aren't things I necessarily think about when I am writing, but reading through Our Vampires, Ourselves has given me some great ideas to do with a character who has only appeared peripherally so far in Gothic.

Women Who Run With the Wolves is a book I have picked up, put down, picked up again, put down, and never owned myself until running across it recently in a university book sale. I snatched it up immediately, determined to pick it up this time for more than a passing read. This book had been in my mind as potential insight into the deeper relationship between Dahlia and her adopted werewolf kin. The book is, of course, interesting for many other archetypal and societal reasons.

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I've also received the link to a guest post I did a little while ago over at the Ramblings from this Chick blogspot. Feel free to go over there and have a look:
http://ramblingsfromthischick.blogspot.com.au/2013/01/guest-post-with-author-nicole-d.html